‘Collusion’ vs. Collusion





One can lie about “collusion” with impunity. But to speak the truth about collusion is to be smeared as “xenophobic,” “racist,” and “nativist.”



Via American Greatness







Historians will dissect the origins and spread of the mass hysteria of Russian “collusion.”

The farce infected the media. It discredited the Democratic Party. And it warped the popular culture between 2015 and 2020.



“Collusion” destroyed what was left of respect for the Washington FBI, the CIA, and the liberal news media. When 50 former “intelligence” officers can attest, right before the election, that the Hunter Biden scandal emails are likely Russian disinformation designed to help Trump, then there is nothing much left of the reputation of our once best and brightest.

There are many theories of the origins of “collusion.” Some believe that Hillary Clinton, and her firewalls of the Democratic National Committee, Perkins Coie, and Fusion GPS that hired Christopher Steele, simply sought a cover counter-narrative to hide her own illegally transmitted and received State Department emails and spin-off scandals.

At the time “collusion” took off, Loretta Lynch and Bill Clinton were on the tarmac in Phoenix, sexual deviate Anthony Weiner’s wife was emailing with Hillary Clinton, and copies ended up on Anthony’s lurid laptop. The hacked DNC computers and all proof of supposed Russian “collusion” culprits had been mysteriously turned over by the FBI to the Clinton-friendly firm, Crowdstrike, for recovery of lost files.

There were other catalysts for the “collusion” mythology. By 2015, Democrats were embarrassed their Russian “reset” love fest had blown up in its face. Finger-wagging about human rights to a thug like Vladimir Putin—while being terrified of selling offensive weapons to beleaguered Ukraine—was a “talk-loudly-while-carrying-a-twig” prescription for disastrous humiliation.

The left-wing architects of reset, in their arrogance, went from “We can push the weak-hand of Putin” to “Putin is an omnipotent monster” in less than a year. In 2012, they acted as if they were Alger Hiss. By 2016 they were in full Joe McCarthy-mode, hunting for a Russian under every bed.

Putin, in his Mafioso-style thinking, had kept his part of the reset bargain. He had stayed inert in 2011, as promised in Seoul, South Korea, to aid Barack Obama’s reelection campaign. And in collusionary return, as also promised, Putin got missile defense in Eastern Europe scrapped and, as a bonus, a free hand in Crimea and eastern Ukraine.

Collusion Delusion

“Collusion” then had allowed befuddled Russian appeasers and naïfs to cover up, and recalibrate themselves as our new version of Cold War hawks. It was as if a supposedly geriatric, and anemic Russia suddenly had transmogrified back into the huge, and global-menacing Soviet Union—or as if the resetters’ own ridiculous placation could be erased by uncovering someone else’s sinister mollification.

But the chief catalyst for the “collusion” hoax was always hatred of the campaign, and then the election, of Donald Trump.

The Real McCoy

Oddest of all in this fixation on Russia, there was a real, far more dangerous collusion that was burrowed deep within the U.S. administrative state, the Democratic Party, corporate boardrooms, Big Tech, professional sports and entertainment, and the media.

If, save for its rusting nuclear arsenal, Russia was shrinking, poor, and spent, not so was China. It was rich, huge, and ruthlessly hellbent on global hegemony—if not by bribery and corruption, then by naked commercial and military force.

If there is a NATO along a much weaker Russia’s borders, until Trump there was nothing much to protect Australia, Japan, South Korea, and Taiwan from China.

Russia Today is a clumsy Cold War holdover propaganda outlet. But the Chinese dissemination Borg is huge. It is sophisticated and it is subtle. Beijing, far better than Russia, understands how to unravel a new America, unhinged and obsessed with race, victimization, and “privilege.”

Hollywood has had a field day with casting big-screen, shaved-headed, Orthodox tattooed, Russian mafia killers and brutes as the evil enemies of all noble minority and feminist film heroes. Yet at the same time, progressive studio heads and producers were reassuring the 1.4 billion people in the Chinese market that they would cull darker-skinned minority American actors so as not to offend the innate racism of the Chinese movie-goer. No one said a word about the paradox.

Is suspicion of Chinese collusion paranoia? ... Full Article By Victor Davis Hanson @ American Greatness